Jeremy Knight's video projections (fishy Rhine, Mime's workbench, magic fire) are pure delight.
     —Joshua Kosman, San Francisco Chronicle

The astute pictorials—mostly dynamic projections by designer Jeremy Knight—were brilliant.
     —Paul Hertelendy, artssf.com

The director creates the opera's myriad settings, with palaces, caves, mountain summits, fire and water suggested in photo montage and film by videographer Jeremy Knight.
     —Georgia Rowe, Contra Costa Times

Sets were projections realized by Jeremy Knight, among the most effective low budget efforts I have ever seen. Moods created by wind-blown clumps of dark trees, or barren rocks, for example, were almost magical.
     —Emory Menefee, Opera-L