Streshinsky, working with Frederic O. Boulay (technical director), Christine Crook (costumes) and Jeremy Knight (projection designer), effectively evoked the atmosphere of wartime London on a platform set encompassing multiple playing spaces.
     —Georgia Rowe, San Jose Mercury News

The creative forces at WEO did a lot with a little: There was a system for supertitles, and the multifunctional stage was changed from one location to another with the simple moving of props, some straightforward theatrical and sound effects and the background projection of a war-era English living room, a church window or a bombed-out London street.
     —Niels Swinkels, San Francisco Classical Voice