Jeremy Knight
theatrical projection design and videography
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L'Enfant et les Sortilèges
For me, the single most exciting moment of the evening came early in the Ravel, when a pair of overstuffed armchairs walked off the stage and immediately reappeared on screen in cartoon form — with the addition of anthropomorphic eyes and ears that enabled them to sing.
Good use is made of a giant video screen at the rear of the stage and Jeremy Knight's digital animation reaches a brilliant climax with an arithmetic book gone berserk.
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